Comments on: A History of Modern Japanese Literary Criticism: Act One, Scene 1 http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/ a web journal on Japan and elsewhere Wed, 08 Feb 2012 12:54:52 +0000 hourly 1 http://wordpress.org/?v=3.1.3 By: Global Voices Online » Japan: A History of Modern Japanese Literary Criticism http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-40665 Global Voices Online » Japan: A History of Modern Japanese Literary Criticism Sat, 05 Dec 2009 14:30:55 +0000 http://neojaponisme.com/?p=1769#comment-40665 [...] Morrison of Neojaponisme gives an overview [en] of the history of modern Japanese literary criticism. Cancel this [...] [...] Morrison of Neojaponisme gives an overview [en] of the history of modern Japanese literary criticism. Cancel this [...]

]]> By: xee http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39950 xee Fri, 13 Nov 2009 17:52:10 +0000 http://neojaponisme.com/?p=1769#comment-39950 masterful! masterful!

]]> By: Ryan Morrson http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39945 Ryan Morrson Fri, 13 Nov 2009 01:53:11 +0000 http://neojaponisme.com/?p=1769#comment-39945 Chuckles: Good point. You're absolutely right about journalism's influence, particularly on the bundan of the 10s, 20s and 30s. I think I mention its influence in the next installment. M-Bone: You're right. Kyoka deserves more than a brief cameo. He did live till 1937, so maybe he'll show up in the next scene. Leonard: I would be honored to have this shared with your class. Connor: Josh? Josh Landars? Chuckles: Good point. You’re absolutely right about journalism’s influence, particularly on the bundan of the 10s, 20s and 30s. I think I mention its influence in the next installment.

M-Bone: You’re right. Kyoka deserves more than a brief cameo. He did live till 1937, so maybe he’ll show up in the next scene.

Leonard: I would be honored to have this shared with your class.

Connor: Josh? Josh Landars?

]]> By: Connor http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39935 Connor Thu, 12 Nov 2009 18:54:00 +0000 http://neojaponisme.com/?p=1769#comment-39935 No but seriously please post more of these distillations. I for one am getting a lot out of this. No but seriously please post more of these distillations. I for one am getting a lot out of this.

]]> By: Connor http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39934 Connor Thu, 12 Nov 2009 18:53:20 +0000 http://neojaponisme.com/?p=1769#comment-39934 this is beriberi helpful get it cause of mori ogai do you get it you probably get it this is beriberi helpful

get it cause of mori ogai

do you get it

you probably get it

]]> By: Leonardo Boiko http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39922 Leonardo Boiko Thu, 12 Nov 2009 14:59:48 +0000 http://neojaponisme.com/?p=1769#comment-39922 When I finally manage to get into Japanese Studies, I am *so* bringing this to class. When I finally manage to get into Japanese Studies, I am *so* bringing this to class.

]]> By: M-Bone http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39919 M-Bone Thu, 12 Nov 2009 14:33:41 +0000 http://neojaponisme.com/?p=1769#comment-39919 Is Izumi Kyoka passed out in the corner? Is Izumi Kyoka passed out in the corner?

]]> By: Chuckles http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39913 Chuckles Thu, 12 Nov 2009 11:54:15 +0000 http://neojaponisme.com/?p=1769#comment-39913 Very good. 1. You might give more attention to tandem developments in Japanese Journalism that were later employed in Japanese literature to produce the anarchism of Osugi Sakae & co. 2. [...I say it’s time to get serious and start writing political novels...] Political novels heavily influenced by journalism and a style of reportage developed in previous eras. Fossils of this style can still be found in 21st century Japanese Journalism and Literature. Also, Kudos on noting the shift in Uchida Roan's thought. Very good.

1. You might give more attention to tandem developments in Japanese Journalism that were later employed in Japanese literature to produce the anarchism of Osugi Sakae & co.

2. [...I say it’s time to get serious and start writing political novels...]

Political novels heavily influenced by journalism and a style of reportage developed in previous eras. Fossils of this style can still be found in 21st century Japanese Journalism and Literature. Also, Kudos on noting the shift in Uchida Roan’s thought.

]]> By: Chuckles http://neojaponisme.com/2009/11/12/a-history-of-modern-japanese-literary-criticism-act-one-scene-1/comment-page-1/#comment-39912 Chuckles Thu, 12 Nov 2009 11:53:45 +0000 http://neojaponisme.com/?p=1769#comment-39912 Very good. 1. You might give more attention to tandem developments in Japanese Journalism that were later employed in Japanese literature to produce the anarchism of Osugi Sakae & co. 2. [...I say it’s time to get serious and start writing political novels...] Political novels heavily influenced by journalism and a style of reportage developed in previous eras. Fossils of this style can still be found in 21st century Japanese Journalism and Literature. Also, Kudos on noting the shift in Roan's thought. Very good.

1. You might give more attention to tandem developments in Japanese Journalism that were later employed in Japanese literature to produce the anarchism of Osugi Sakae & co.

2. [...I say it’s time to get serious and start writing political novels...]

Political novels heavily influenced by journalism and a style of reportage developed in previous eras. Fossils of this style can still be found in 21st century Japanese Journalism and Literature. Also, Kudos on noting the shift in Roan’s thought.

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