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	<title>Néojaponisme &#187; Podcasts</title>
	<atom:link href="http://neojaponisme.com/category/podcasts/feed/" rel="self" type="application/rss+xml" />
	<link>http://neojaponisme.com</link>
	<description>a web journal on Japan and elsewhere</description>
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		<title>Podcast: Harajuku Requiem</title>
		<link>http://neojaponisme.com/2009/12/14/podcast-harajuku-requiem/</link>
		<comments>http://neojaponisme.com/2009/12/14/podcast-harajuku-requiem/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 00:30:24 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Markets and Consumers]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Popular Culture]]></category>
		<category><![CDATA[Subculture]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Youth Culture]]></category>
		<category><![CDATA[Harajuku]]></category>
		<category><![CDATA[Japanese fashion]]></category>
		<category><![CDATA[Japanese fashion history]]></category>
		<category><![CDATA[Ura-Harajuku]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/?p=1845</guid>
		<description><![CDATA[Sometime in November, Marxy of Néojaponisme and Patrick Macias — author of such books as Cruising the Anime City: An Otaku Guide to Neo Tokyo and Japanese Schoolgirl Inferno: Tokyo Teen Fashion Subculture Handbook — met in Inokashira Park and recorded a very long podcast about Harajuku and the past, present, and future of Japanese [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2009/12/pooedcast.jpg" alt="Harajuku Reqiuem" /></p>
<p>Sometime in November, Marxy of Néojaponisme and <a href="http://patrickmacias.blogs.com/">Patrick Macias</a> — author of such books as <a href="http://www.amazon.com/gp/product/1880656884?ie=UTF8&#038;tag=neojaponisme-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=1880656884"><cite>Cruising the Anime City: An Otaku Guide to Neo Tokyo</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=neojaponisme-20&#038;l=as2&#038;o=1&#038;a=1880656884" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> and <a href="http://www.amazon.com/gp/product/0811856909?ie=UTF8&#038;tag=neojaponisme-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0811856909"><cite>Japanese Schoolgirl Inferno: Tokyo Teen Fashion Subculture Handbook</cite></a><img src="http://www.assoc-amazon.com/e/ir?t=neojaponisme-20&#038;l=as2&#038;o=1&#038;a=0811856909" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> — met in Inokashira Park and recorded a very long podcast about Harajuku and the past, present, and future of Japanese fashion. The result spans over an hour and twenty minutes, and yes, we edited out a lot of the boring parts. Hear Marxy talk about the minutiae of his first visits to A Bathing Ape in 1998. Hear P. Macias talk about the high-pressure sales staff at Shibuya 109-2. Good news: it ends on an optimistic note.</p>
<p>Intro song: &#8220;1996&#8243; by Cornelius<br />
Ending song: &#8220;Volunteer Ape Man (Disco)&#8221; by Cornelius</p>
<p><strong>Download</strong>: <a href="http://www.neojaponisme.com/podcasts/neojaponisme-harajukurequiem.mp3">Harajuku Requiem: Marxy x Patrick Macias on Tokyo Fashion Past and Present</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>8</slash:comments>
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		<item>
		<title>Podcast: Liberal Democratic Japan</title>
		<link>http://neojaponisme.com/2009/08/05/podcast-liberal-democratic-japan/</link>
		<comments>http://neojaponisme.com/2009/08/05/podcast-liberal-democratic-japan/#comments</comments>
		<pubDate>Wed, 05 Aug 2009 00:00:39 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Democratic Party of Japan]]></category>
		<category><![CDATA[Japanese politics]]></category>
		<category><![CDATA[Tobias Harris]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/?p=1591</guid>
		<description><![CDATA[Tobias Harris of Observing Japan and I hit Showa Era-themed izakaya Hanbey for some Hoppy and discussion on Japan&#8217;s status as a liberal democracy. Ironically, Japan&#8217;s best change of becoming a liberal democracy is the removal of the Liberal Democratic Party (LDP). In little under one hour, our conversation tackles the upcoming election, the Democratic [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2009/08/diet.gif" alt="Liberal Democratic Japan" height="310"></p>
<p><strong>Tobias Harris</strong> of <a href="http://www.observingjapan.com/">Observing Japan</a> and I hit Showa Era-themed izakaya <a href="http://www.hanbey.com/">Hanbey</a> for some Hoppy and discussion on Japan&#8217;s status as a liberal democracy. Ironically, Japan&#8217;s best change of becoming a liberal democracy is the removal of the Liberal Democratic Party (LDP). </p>
<p>In little under one hour, our conversation tackles the upcoming election, the Democratic Party of Japan&#8217;s (DPJ) agenda, and whether Japan will become more liberal and more democratic in the future. (This podcast was recorded on July 23.)</p>
<p><strong>Download</strong>: Politics at Hanbey: Marxy x Tobias Harris on Japan as a Liberal Democracy <em>(mp3 no longer available)</em><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>7</slash:comments>
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		<item>
		<title>Podcast: The Tonkatsu Tapes</title>
		<link>http://neojaponisme.com/2009/04/27/podcast-the-tonkatsu-tapes/</link>
		<comments>http://neojaponisme.com/2009/04/27/podcast-the-tonkatsu-tapes/#comments</comments>
		<pubDate>Mon, 27 Apr 2009 00:30:34 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Love, Sex, and Gender]]></category>
		<category><![CDATA[Markets and Consumers]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Popular Culture]]></category>
		<category><![CDATA[Subculture]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Youth Culture]]></category>
		<category><![CDATA[gyaru]]></category>
		<category><![CDATA[hostesses]]></category>
		<category><![CDATA[Kyabajō]]></category>
		<category><![CDATA[Patrick Macias]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2009/04/27/podcast-the-tonkatsu-tapes/</guid>
		<description><![CDATA[According to Japanamerica author Roland Kelts, Patrick Macias is &#8220;an American otaku and blogger extraordinaire.&#8221; More accurately, he is the author of multiple books in both English and Japanese and currently the Editor-in-Chief of Otaku USA. Mr. Macias was in Tokyo a few weeks back, and we met over a discount tonkatsu lunch to talk [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2009/04/ageha.jpg" alt="Tonkatsu Tapes" /></p>
<p>According to <em>Japanamerica</em> author Roland Kelts, <a href="http://www.patrickmacias.com/">Patrick Macias</a> is &#8220;an American otaku and blogger extraordinaire.&#8221; More accurately, he is the author of multiple books in both English and Japanese and currently the Editor-in-Chief of <a href="http://www.otakuusamagazine.com/ME2/Default.asp"><i>Otaku USA</i></a>. Mr. Macias was in Tokyo a few weeks back, and we met over a discount <em>tonkatsu</em> lunch to talk about the state of Japanese recession and the current <i>yankii</i> cultural takeover. Luckily, a recording device captured our dialogue (and my total inability to enunciate words or complete sentences).</p>
<p>So please enjoy the hour-long mp3!</p>
<p><strong>Download</strong>: <a href="http://www.neojaponisme.com/podcasts/neojaponisme-tonkatsutapes.mp3">The Tonkatsu Tapes: Marxy vs. Patrick Macias on Japanese Recessionary Culture</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<item>
		<title>FAST PART FAST PART MOSH PART FAST PART VOLUME TWO</title>
		<link>http://neojaponisme.com/2008/11/20/fast-part-fast-part-mosh-part-fast-part-volume-two/</link>
		<comments>http://neojaponisme.com/2008/11/20/fast-part-fast-part-mosh-part-fast-part-volume-two/#comments</comments>
		<pubDate>Thu, 20 Nov 2008 01:00:30 +0000</pubDate>
		<dc:creator>Ian LYNAM</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Subculture]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Youth Culture]]></category>
		<category><![CDATA[Japanese crust-oriented punk]]></category>
		<category><![CDATA[Japanese d-beat]]></category>
		<category><![CDATA[Japanese grime]]></category>
		<category><![CDATA[Japanese hardcore]]></category>
		<category><![CDATA[Japanese punk]]></category>
		<category><![CDATA[Japanese thrash]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/11/20/fast-part-fast-part-mosh-part-fast-part-volume-two/</guid>
		<description><![CDATA[Volume Two in this podcast series devoted to digging up punk and punk-derived music from Japan. This episode hops all over the nation and is a bit more stylistically eclectic in scope than Volume One. Bands from Hokkaido (Tranquilizer), Sendai (G-Spot), and Toyama (Z, Chaos C.H.) are represented, as well as the usual glut of [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/11/fast_part.jpg" alt="FAST PART FAST PART MOSH PART FAST PART" /></p>
<p>Volume Two in this <a href="http://neojaponisme.com/category-projects/podcasts/">podcast</a> series devoted to digging up punk and punk-derived music from Japan. This episode hops all over the nation and is a bit more stylistically eclectic in scope than <a href="http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/">Volume One</a>. Bands from Hokkaido (Tranquilizer), Sendai (G-Spot), and Toyama (Z, Chaos C.H.) are represented, as well as the usual glut of folks from Tokyo and Osaka. </p>
<p>Abraham Cross, Slaver, and Disclose all feature straight-ahead, speedy numbers that are sure to make folks bop along. The standout oddball track is Ghoul&#8217;s gem &#8220;Jerusalem&#8221;, culled from an old <a href="http://www.pusfan.com/ps.htm">Pusmort</a> compilation (<a href="http://en.wikipedia.org/wiki/Pushead">Pushead</a>&#8216;s old label which did a lot to bring Japanese hardcore and metal fare to U.S. collectors). It features a weird snoozer of a piano concerto which drops into a sludgy HC/metal number, followed up by questionable mega-riffage that brings to mind early D.C. bands like Kingface (not that <a href="http://blog.wfmu.org/freeform/2005/09/download_kingfa.html">Kingface</a> was questionable, mind you&#8230;). It&#8217;s just a weird song– epic for its time. </p>
<p>Best song name probably goes to The Execute for &#8220;Inside of Human Outside of Human,&#8221; though Chaos C.H.&#8217;s &#8220;Boycott the Suck History&#8221; gives it a run for its money. </p>
<p>In all, Volume Two features 22 tracks and runs for 36 minutes and 27 seconds.</p>
<p>File: <a href="http://www.neojaponisme.com/podcasts/FastPartFastPartMoshPartFastPart2.m4a">m4a</a><br />
Feed: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss feed</a> for iTunes etc.</p>
<p>Volume One available <a href="http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/">here</a>.</p>
<p><strong>Track List:</strong><br />
<span id="more-1306"></span></p>
<p>1. Gastunk &#8220;Devil&#8221;<br />
2. Lip Cream &#8220;Lonely Rock&#8221;<br />
3. Lip Cream &#8220;No No Mercy&#8221;<br />
4. G-Spot &#8220;Law Killer&#8221;<br />
5. Sha-London &#8220;AntiAntiAnti&#8221;<br />
6. Ghoul &#8220;Jerusalem&#8221;<br />
7. S.O.B. &#8220;Slap in the Face&#8221;<br />
8. Expose &#8220;Blue Accident&#8221;<br />
9. The Execute &#8220;Inside of Human Outside of Human&#8221;<br />
10. Slaver &#8220;Fried Chicken&#8221;<br />
11. Idora &#8220;Helter Skelter&#8221;<br />
12. D.O.N.D.O.N. &#8220;The End&#8221;<br />
13. Chaos C.H. &#8220;Boycott the Suck History&#8221;<br />
14. Final Count &#8220;Wild and Woolly&#8221;<br />
15. Tranquilizer &#8220;Never Go To war&#8221;<br />
16. Abraham Cross &#8220;Bad Circulate&#8221;<br />
17. Iconoclast &#8220;Warlike Nation&#8221;<br />
18. Disclose &#8220;Children Not Knowing Peace&#8221;<br />
19. C.F.D.L. &#8220;45 Revolution<br />
20. Disclose &#8220;Battlefield&#8221;<br />
21. Anti Authoritize &#8220;Greed &#038; Deceit &#038; the Past Meaning&#8221;<br />
22. Iconoclast &#8220;Peace and Blind&#8221;</p>
<p><img src="http://neojaponisme.com/images/2008/11/punx.jpg" alt="FAST PART FAST PART MOSH PART FAST PART" /></p>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Podcast on Cool Japan</title>
		<link>http://neojaponisme.com/2008/10/28/podcast-on-cool-japan/</link>
		<comments>http://neojaponisme.com/2008/10/28/podcast-on-cool-japan/#comments</comments>
		<pubDate>Tue, 28 Oct 2008 01:00:25 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Conceptions of Japan]]></category>
		<category><![CDATA[Economy, Business, and Employment]]></category>
		<category><![CDATA[Gross National Cool]]></category>
		<category><![CDATA[Internet and Games]]></category>
		<category><![CDATA[Markets and Consumers]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Popular Culture]]></category>
		<category><![CDATA[Subculture]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Youth Culture]]></category>
		<category><![CDATA[Cool Japan]]></category>
		<category><![CDATA[Japan Cool]]></category>
		<category><![CDATA[Patrick Macias]]></category>
		<category><![CDATA[Shokotan]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/10/28/podcast-on-cool-japan/</guid>
		<description><![CDATA[W. David Marx (aka Marxy) and internationally-fêted writer / Otaku USA editor-in-chief Patrick Macias discuss the future of &#8220;Cool Japan&#8221; over chain teishoku in Akasaka. Topics include: Nakagawa &#8220;Shoko-tan&#8221; Shoko&#8217;s otaku cred, the importation of &#8220;kawaii&#8221; culture to the U.S., the growing creativity drought in Japan, the irrelevance of chasing Japanese fads, and predictions for [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/10/cool.gif" alt="Cool Japan" /><br />
<strong><br />
W. David Marx (aka Marxy)</strong> and internationally-fêted writer / <i>Otaku USA</i> editor-in-chief <a href="http://www.patrickmacias.com/"><strong>Patrick Macias</strong></a> discuss the future of &#8220;Cool Japan&#8221; over chain <em>teishoku</em> in Akasaka. Topics include: Nakagawa &#8220;Shoko-tan&#8221; Shoko&#8217;s otaku cred, the importation of &#8220;kawaii&#8221; culture to the U.S., the growing creativity drought in Japan, the irrelevance of chasing Japanese fads, and predictions for the future. Will Japan&#8217;s pop culture and economy implode to the point of verdant youth rebellion?</p>
<p>For reference, Patrick has the nice, bold voice, while Marxy has the high-pitched nasal voice and talks while he eats.</p>
<p>(The photo in the graphic above was taken in a Nara gift shop last year.) </p>
<p><strong>Download</strong>: <a href="http://neojaponisme.com/podcasts/neojaponisme-cooljapan.mp3">Néojaponisme Podcast on Cool Japan</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>16</slash:comments>
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		<item>
		<title>FAST PART FAST PART MOSH PART FAST PART VOLUME ONE</title>
		<link>http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/</link>
		<comments>http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/#comments</comments>
		<pubDate>Tue, 22 Jul 2008 00:57:14 +0000</pubDate>
		<dc:creator>Ian LYNAM</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Subculture]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Youth Culture]]></category>
		<category><![CDATA[Bastard]]></category>
		<category><![CDATA[D.O.N.D.O.N.]]></category>
		<category><![CDATA[Damnable Excite Zombies]]></category>
		<category><![CDATA[Disclose]]></category>
		<category><![CDATA[Disprove]]></category>
		<category><![CDATA[Effigy]]></category>
		<category><![CDATA[Gudon]]></category>
		<category><![CDATA[Hakuchi]]></category>
		<category><![CDATA[Iconoclast]]></category>
		<category><![CDATA[Japanese hardcore]]></category>
		<category><![CDATA[Japanese punk]]></category>
		<category><![CDATA[Lipcream]]></category>
		<category><![CDATA[Mink Oil]]></category>
		<category><![CDATA[Warhead Junk]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/</guid>
		<description><![CDATA[As a skater/punk kid in the upstate New York countryside during the &#8217;80s, a big factor in educating my would-be musical taste was reading Thrasher when I could get my hands on a copy. (Note that this was in the last few years that Thrasher still devoted a lot of time to punk.) There were [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/06/fast_part.jpg" alt="FAST PART FAST PART MOSH PART FAST PART" /></p>
<p>As a skater/punk kid in the <a href="http://www.culturefreak.com/AlbanyStyle.html">upstate New York</a> countryside during the &#8217;80s, a big factor in educating my would-be musical taste was reading <a href="http://www.thrashermagazine.com/"><em>Thrasher</em></a> when I could get my hands on a copy. (Note that this was in the last few years that <em>Thrasher</em> still devoted a lot of time to punk.) </p>
<p>There were a number of articles on Japanese thrash and hardcore bands, stuff that would only make it into the hands of affluent record collectors in NYC, not the hayseed outskirts of Albany. I was consuming a steady diet of early thrash, speed metal, crossover, and punk and hardcore cassettes. </p>
<p>Somewhere along the way, a friend gave me a cassette that had a few <a href="http://www.myspace.com/lipcreamjapanlegends">Lipcream</a> songs on it, and this was the proof in the pudding — the ferocity of those songs outmatched a lot of American bands. They were stripped-down, forceful, and grinding. No solos, no over-the-top glammy vocals, just hardcore-by-the-numbers, but played with speed and acumen that really stood out.</p>
<p>Fast forward 20 years and the wonder that is the internet has unearthed a ton of rips of vinyl from those golden years where I missed out on everything. I&#8217;ve been listening to a lot of them lately and have compiled what will potentially be the first in a series of podcasts that capture the essence of Japanese crust-oriented punk, hardcore, d-beat, thrash, and assorted metal micro-genres.</p>
<p>Volume One is fairly pan-Japanese in scope.<a href="http://7inchcrust.blogspot.com/2008/03/iconoclast-who-does-freedom-and.html">Iconoclast</a> hail from Kanazawa, <a href="http://music.attr-search.ebay.com/Hakuchi_Records_7_W0QQa22564Z22573QQalistZa22564QQgcsZ1093QQpfidZ1268QQpfmodeZ2QQsacatZQ2d100">Hakuchi</a> from Niigata, <a href="http://trashcookies.com/?p=122">D.O.N.D.O.N.</a>, Lipcream, and <a href="http://cgi.ebay.com/DISPROVE-7%22-Japan-D-beat-KBD-color-vinyl_W0QQitemZ150264675652QQcmdZViewItem?IMSfp=TL0806291464r1110">Disprove</a> from Tokyo, <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&#038;friendID=1000633288">Effigy</a> from Takamatsu, and <a href="http://homepages.nyu.edu/~cch223/japan/gudon_main.html">Gudon</a> from Hiroshima. This volume is fairly Gudon-heavy, as I just really like their music — aggressive, fast, growling hardcore played with nerd-like technical ability and recorded with detailed production. 
<center><div class="hrred"><!-- --></div></center>
FAST PART FAST PART MOSH PART FAST PART<br />
Volume One</p>
<p>File: <a href="http://www.neojaponisme.com/podcasts/fastpartneojaponisme.mp3">mp3</a><br />
Feed: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss feed</a> for iTunes etc.</p>
<p><strong>Track List:</strong><br />
<span id="more-1205"></span><br />
1. Gudon &#8220;Hikashibou (Stoic Violence)&#8221; (from the &#8220;Hikashibou&#8221; EP, 1986)</p>
<p>2. Lipcream &#8220;Top Fight&#8221; (from the Anglican Scrape Fight compilation 7&#8243; flexi)</p>
<p>3. Iconoclast &#8220;Silence equals death&#8221; (from the &#8220;Who Does the Freedom and Equality Exist For?&#8221; 7&#8243; EP, 1985) </p>
<p>4. Hakuchi &#8220;The tragedy to be expected&#8221; (from the &#8220;Gods Disturb&#8221; 7&#8243;, 1993)</p>
<p>5. Damnable Excite Zombies &#8220;Sect (Suck your soul)&#8221; (from the &#8220;Suck Your Soul 7&#8243;, 1992)</p>
<p>6. Bastard &#8220;Slick plot&#8221; from the &#8220;Controlled in the Frame&#8221; 7&#8243; EP, 1989)</p>
<p>7. Disclose &#8220;Just Another Warsystem&#8221; (from the Disclose/World Burns to Death split 7&#8243;, 2004)</p>
<p>8. Disprove &#8220;Deep mist&#8221; (from self-titled 7&#8243;)</p>
<p>9. D.O.N.D.O.N. &#8220;Nuclear Reek&#8221; (from the &#8220;Commercialism&#8221; 7&#8243;, 1990)</p>
<p>10. Warhead Junk &#8220;Troops to Murder&#8221; (from the Warhead Junk/Gudon &#8220;Bloodsucking Freaks&#8221; split 7&#8243;, 1991)</p>
<p>11. Iconoclast &#8220;Warlike Nation&#8221; (from the Meaningful Consolidation&#8221; 2&#215;7&#8243; EP)</p>
<p>12. Mink Oil &#8220;Youth of Height&#8221; (from the &#8220;Smashing Odds Ness!!&#8221; 8&#8243; compilation, 1988)</p>
<p>13. Gudon &#8220;Burst your Head&#8221; (from the &#8220;Hikashibou&#8221; EP, 1986)</p>
<p>14. Gudon &#8220;Egger&#8221; (from the &#8220;Howling Communication&#8221; EP, 1987)</p>
<p>15. Effigy &#8220;Mortalwar&#8221; (from the Effigy/Aparat split 7&#8243;, 2000)</p>
<p>16. Effigy &#8220;From Hell (Summer Devils)&#8221; (from the &#8220;From Hell&#8221; 7&#8243; single, 2001)</p>
<p>17. Gudon &#8220;Power of Dusk&#8221; (from the &#8220;Howling Communication&#8221; EP, 1987)</p>
<p>
<center><div class="hrred"><!-- --></div></center>
</p>
<p>Soundmark vocals by <a href="http://www.myspace.com/microphonyphonyphony">Sam Farfsing</a> and <a href="http://www.jyrk.com/unsounds/">Snowy D. Bear</a>. There is a surprise bonus track in here, as well. First person to correctly identify it wins <a href="http://parallelstrokes.com">this</a>. (Hint: It contains <a href="http://jp.youtube.com/watch?v=dhUFxaauNTE">Cookie Monster</a> versus <a href="http://en.wikipedia.org/wiki/The_Dark_Crystal">Skexi</a> vocal stylings.)</p>]]></content:encoded>
			<wfw:commentRss>http://neojaponisme.com/2008/07/22/fast-part-fast-part-mosh-part-fast-part-volume-one/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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		<title>Podcast on Citrus and Emori Takeaki</title>
		<link>http://neojaponisme.com/2008/05/21/podcast-on-citrus-and-emori-takeaki/</link>
		<comments>http://neojaponisme.com/2008/05/21/podcast-on-citrus-and-emori-takeaki/#comments</comments>
		<pubDate>Wed, 21 May 2008 01:00:21 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[The Present]]></category>
		<category><![CDATA[Citrus]]></category>
		<category><![CDATA[Emori Takeaki]]></category>
		<category><![CDATA[Takeaki Emori]]></category>
		<category><![CDATA[Trattoria]]></category>
		<category><![CDATA[Yoga'n'ants]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/05/21/podcast-on-citrus-and-emori-takeaki/</guid>
		<description><![CDATA[In a few days, Néojaponisme will publish an interview with one of our musical heroes — Emori Takeaki (江森丈晃) of the bands Citrus and Yoga&#8217;n'ants. Citrus was a legendary and mysterious indie-pop band on the Oyamada Keigo (aka Cornelius) imprint Trattoria Records. Yoga&#8217;n'ants is Emori&#8217;s latest project, which just last year released the rough-edged French-vocal [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/05/citrus22.jpg" alt="citrus22.jpg" /></p>
<p>In a few days, Néojaponisme will publish an interview with one of our musical heroes — <strong>Emori Takeaki</strong> (江森丈晃) of the bands <a href="http://ja.wikipedia.org/wiki/%E3%82%B7%E3%83%88%E3%83%A9%E3%82%B9_%28%E9%9F%B3%E6%A5%BD%E3%83%A6%E3%83%8B%E3%83%83%E3%83%88%29" target="_blank">Citrus</a> and <a href="http://www.myspace.com/yoganants" target="_blank">Yoga&#8217;n'ants</a>. </p>
<p><strong>Citrus</strong> was a legendary and mysterious indie-pop band on the Oyamada Keigo (aka Cornelius) imprint <a href="http://www.1fct.com/trattoriamenu/tra/index.html">Trattoria Records</a>. <strong>Yoga&#8217;n'ants</strong> is Emori&#8217;s latest project, which just last year released the rough-edged French-vocal jazz-pop record <a href="http://www.amazon.co.jp/gp/product/B000V2RXWK?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B000V2RXWK"><i>Bethlehem, We Are On Our Own</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B000V2RXWK" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />.</p>
<p>Most Néojaponisme readers may not have heard these two cult-favorite musical units, so we decided to first release a music-and-chatter podcast as an introduction to Emori and the enigmas of his existence. We called up the biggest Citrus fan ever — Trevor of the Queens, NY indie record label <a href="http://musicrelated.net/">Music Related</a> (home to artists such as &#8220;Marxy&#8221;) — and chatted with him about the topic for exactly 34 minutes (including musical interludes). Hear us indulge in serious music nerd discussion and misstate Citrus song and album titles in hundreds of different ways!</p>
<p>Links:<br />
<a href="http://www.myspace.com/yoganants">Yoga&#8217;n'ants MySpace</a><br />
<a href="http://www.tonetwilight.com/">Tone Twilight</a> (Emori&#8217;s record label and design office)</p>
<p><strong>Download</strong>: <a href="http://neojaponisme.com/podcasts/neojaponisme-citrus.mp3">Néojaponisme Podcast on Citrus and Emori Takeaki</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>
<p><u>Songs included</u> (in order):<br />
<span id="more-1170"></span><br />
1. Citrus &#8220;Blue Mercedes (Simply Eternal Reality)&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B00005FODJ?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00005FODJ"><i>Wispy, No Mercy</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00005FODJ" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (2000)<br />
2. Citrus &#8220;Colo Colo Meets the Stripes&#8221; from the compilation <a href="http://www.amazon.co.jp/gp/product/B00005FOAB?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00005FOAB"><i>Bend It! JAPAN &#8217;98</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00005FOAB" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (1998)<br />
3. Citrus &#8220;No Milk&#8221; from the seven-inch <i>Citrus EP</i> (1994)<br />
4. Citrus &#8220;My Room is Burning&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B000007Y08?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B000007Y08"><i>Citrus Plant for Little Kids</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B000007Y08" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (1994)<br />
5. Citrus &#8220;Cymbal Hit! (Like my feelin&#8217;)&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B00005FO5A?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00005FO5A"><i>BOAT,DRIVE IN</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00005FO5A" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (1996)<br />
6. Yukari Rotten &#8220;C.L.I.J.S.T.E.R.S (Te Killed The Drums &#038; Stick Version)&#8221; from the CD single <a href="http://www.amazon.co.jp/gp/product/B000223N0K?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B000223N0K"><i>C.L.I.J.S.T.E.R.S.</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B000223N0K" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (2004)<br />
7. Citrus &#8220;Young Fidelity&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B00005FODJ?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00005FODJ"><i>Wispy, No Mercy</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00005FODJ" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (2000)<br />
8. Sonic Coaster Pop &#8220;Sunny Side up!&#8221; from the mini-album <a href="http://www.amazon.co.jp/gp/product/B00005K1IX?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00005K1IX"><i>future electro star</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00005K1IX" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
9. Plus-Tech Squeeze Box &#8220;Early Riser&#8221; from the album <a href="http://www.amazon.com/gp/product/B00005J8MD?ie=UTF8&#038;tag=neojaponisme-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=B00005J8MD"><i>Fakevox</i></a><img src="http://www.assoc-amazon.com/e/ir?t=neojaponisme-20&#038;l=as2&#038;o=1&#038;a=B00005J8MD" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (2000)<br />
10. Yoga&#8217;n'ants &#8220;Pas Touche!&#8221; from the album <a href="http://www.amazon.co.jp/gp/product/B000V2RXWK?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B000V2RXWK"><i>Bethlehem, We Are On Our Own</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B000V2RXWK" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (2007)<br />
11. Citrus &#8220;Tuesday Sunday Lazy Jazz feat. Inazzma*k&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B00000ILSH?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00000ILSH"><i>Splash!</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00000ILSH" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (1999)<br />
12. Citrus &#8220;Colo Colo Meets NANAppella&#8221; from the seven-inch <i>Colo Colo Meets the Stripes</i> (1998)<br />
13. Citrus &#8220;Tuesday Sunday Lazy Jazz&#8221; from the EP <a href="http://www.amazon.co.jp/gp/product/B00000ILSH?ie=UTF8&#038;tag=neojaponisme-22&#038;linkCode=as2&#038;camp=247&#038;creative=1211&#038;creativeASIN=B00000ILSH"><i>Splash!</i></a><img src="http://www.assoc-amazon.jp/e/ir?t=neojaponisme-22&#038;l=as2&#038;o=9&#038;a=B00000ILSH" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> (1999)</p>
<p>(Art above from the <i>Boat, Drive In</i> CD insert.)</p>]]></content:encoded>
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		<slash:comments>22</slash:comments>
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		<item>
		<title>Martians Go Home 3</title>
		<link>http://neojaponisme.com/2008/02/08/martians-go-home-3/</link>
		<comments>http://neojaponisme.com/2008/02/08/martians-go-home-3/#comments</comments>
		<pubDate>Fri, 08 Feb 2008 06:45:17 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[Flipper's Guitar]]></category>
		<category><![CDATA[Martians Go Home]]></category>
		<category><![CDATA[フリッパーズ・ギター]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/02/08/martians-go-home-3/</guid>
		<description><![CDATA[Part Three in our &#8220;Martians Go Home&#8221; revival: Flipper&#8217;s Guitar introduce us to their favorite psychedelic pop and motoneta (songs that provide the original sample source material for newer songs.) Download: Martians Go Home 7.9.91 &#8211; Psychedelic Sound and Motoneta Martians Go Home RSS Feed: .rss General Néojaponisme Podcast RSS Feed: .rss]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/01/MARTIANS_GO_HOME.gif" alt="Martians Go Home" /></p>
<p>Part Three in our <a href="http://neojaponisme.com/2008/01/30/martiansgohome/">&#8220;Martians Go Home&#8221;</a> revival: Flipper&#8217;s Guitar introduce us to their favorite psychedelic pop and <i>motoneta</i> (songs that provide the original sample source material for newer songs.)</p>
<p><strong>Download</strong>: <a href="http://neojaponisme.com/podcasts/martiansgohome/mgh7991.mp3">Martians Go Home 7.9.91 &#8211; Psychedelic Sound and <i>Motoneta</i></a><br />
<strong>Martians Go Home RSS Feed</strong>:  <a href="http://neojaponisme.com/martiansgohome.xml">.rss</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Martians Go Home 2</title>
		<link>http://neojaponisme.com/2008/02/05/martians-go-home-2/</link>
		<comments>http://neojaponisme.com/2008/02/05/martians-go-home-2/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 08:30:49 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[Flipper's Guitar]]></category>
		<category><![CDATA[Martians Go Home]]></category>
		<category><![CDATA[フリッパーズ・ギター]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/02/05/martians-go-home-2/</guid>
		<description><![CDATA[Part Two in our &#8220;Martians Go Home&#8221; revival: Flipper&#8217;s Guitar take on oshare club jazz and bossa nova. Download: Martians Go Home 6.4.91 &#8211; Oshare Martians Go Home RSS Feed: .rss General Néojaponisme Podcast RSS Feed: .rss]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/01/MARTIANS_GO_HOME.gif" alt="Martians Go Home" /></p>
<p>Part Two in our <a href="http://neojaponisme.com/2008/01/30/martiansgohome/">&#8220;Martians Go Home&#8221;</a> revival: Flipper&#8217;s Guitar take on <i>oshare</i> club jazz and bossa nova.</p>
<p><strong>Download</strong>: <a href="http://neojaponisme.com/podcasts/martiansgohome/mgh6491.mp3">Martians Go Home 6.4.91 &#8211; Oshare</a><br />
<strong>Martians Go Home RSS Feed</strong>:  <a href="http://neojaponisme.com/martiansgohome.xml">.rss</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Martians Go Home</title>
		<link>http://neojaponisme.com/2008/01/30/martiansgohome/</link>
		<comments>http://neojaponisme.com/2008/01/30/martiansgohome/#comments</comments>
		<pubDate>Wed, 30 Jan 2008 07:40:36 +0000</pubDate>
		<dc:creator>W. David MARX</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[The Past]]></category>
		<category><![CDATA[Flipper's Guitar]]></category>
		<category><![CDATA[Martians Go Home]]></category>
		<category><![CDATA[フリッパーズ・ギター]]></category>

		<guid isPermaLink="false">http://neojaponisme.com/2008/01/30/martiansgohome/</guid>
		<description><![CDATA[English / &#26085;&#26412;&#35486; There was nothing inevitable about the development of the Shibuya-kei music movement in Japan. This revolutionary cultural explosion and rambunctious insertion of new influences into the stale domestic industry came from the fingertips of a few individuals — most importantly, Oyamada Keigo and Ozawa Kenji of the band Flipper&#8217;s Guitar. Even though [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://neojaponisme.com/images/2008/01/MARTIANS_GO_HOME.gif" alt="Martians Go Home" /></p>
<p class="changelang"><span class="linkoff" id="post-242enlink"><a href="#" onclick="swapLanguage('post-242en', 'post-242ja'); return false;">English</a></span> / <span class="linkon" id="post-242jalink"><a href="#" onclick="swapLanguage('post-242ja', 'post-242en'); return false;">&#26085;&#26412;&#35486;</a></span></p>
<div id="post-242en" class="english">There was nothing inevitable about the development of the <a href="/2004/11/15/the-legacy-of-shibuya-kei-part-one/">Shibuya-kei</a> music movement in Japan. This revolutionary cultural explosion and rambunctious insertion of new influences into the stale domestic industry came from the fingertips of a few individuals — most importantly, Oyamada Keigo and Ozawa Kenji of the band <strong>Flipper&#8217;s Guitar</strong>.</p>
<p>Even though Flipper&#8217;s broke up suddenly in October 1991, they managed to establish the sonic palette that would guide both Japanese indie and popular music until the end of the century. Apart from their actual albums and singles, Oyamada and Ozawa influenced tastes through a monthly column in <em>Takarajima</em> as well as a weekly half-hour radio show on FM Yokohama entitled <strong>&#8220;Martians Go Home&#8221;</strong> (マーシャンズ・ゴー・ホーム). Handing two bratty 22 year-olds (with no proper management company affiliation) keys to the airwaves could have been a disaster (or more likely, boring), but being the country&#8217;s premier foreign music nerds, they introduced listeners to an incredibly wide range of obscure music, including UK Neo-Acoustic, 60s Groove Jazz, Psychedelic Pop, &#8220;Funk-a-Latina&#8221;, Madchester, and fellow Japanese indie bands. The United States enjoyed &#8220;college rock radio&#8221; as the medium for diffusing musical innovation in the &#8217;80s, and although the scale was much smaller, &#8220;Martians Go Home&#8221; played a similar role in &#8220;educating&#8221; an entire generation in Japan.</p>
<p>As a way to better experience this piece of history, we have digitized select episodes of &#8220;Martians Go Home&#8221; to be available on this site over several installments. (Although there are obvious copyright issues, we feel that the value as historical material for the these &#8220;cassette-dubs of a 17-year-old, commercially-unavailable radio show&#8221; outweighs rights issues.)</p></div>
<div id="post-242ja" class="japanese">日本の渋谷系音楽の発生は必然的に起こった出来事では決してない。この爆発的な文化革命と、国内の淀んだ音楽業界に新しい影響を与えた疾風はわずか数人の手によって引き起こされたものであった。特に<strong>フリッパーズ・ギター</strong>のメンバーであった小山田圭吾と小沢健二は、この革命の中心人物といえるだろう。</p>
<p>1991年の10月に突然解散してしまったのにも関わらず、フリッパーズは日本のインディーズそしてポピュラーミュージックを20世紀末まで導いた音楽の新しい基準、もしくは新しい音楽辞典（又は音楽教科書）的な物を作り出した伝説のバンドである。独自のアルバムやシングル以外にも、小山田と小沢は毎月『宝島』に掲載された連載コラムや、FM Yokohamaにて毎週オンエアされていた30分間のレギュラーラジオ番組「マーシャンズ・ゴー・ホーム」を通して当時の音楽センスに多大なる影響を与えていた。考えてみると、まだ22歳の生意気な（しかもマネジメント会社にも正式に所属していない）若者二人に番組の舵をまかせるのはかなりのリスクを伴うことだっただろう。けれども、日本一の外国音楽オタクであった彼らは、次々とリスナー達に斬新かつ多様な音楽ジャンルを紹介していたったのだ。そのなかにはイギリスのネオ　アコースティック、６０年代のジャズ・グルーブ、サイケポップス、ファンカラティナ、マッドチェスター、そしてもちろん彼らのインディースバンド仲間なども含まれていた。アメリカの８０年代の音楽革新の普及を促せたカレッジ・チャートまでのスケールには及ばないが、「マーシャンズ・ゴー・ホーム」は日本の一世代を「教育」したという面では、それと同じような役割を果たしたといえるだろう。</p>
<p>この音楽歴史の一片をさらによく体験してもらう為、このサイトではデジタル化した「マーシャンズ・ゴー・ホーム」のエピソードから抜粋した5回分の放送を分割して提供する。（もちろん著作権などの問題はあるけれど、「市販では決して手に入らない17年前の若者たちが録音したラジオ番組のダビングテープ」の歴史的価値は、そんなリスクも上回るものだと感じている。）</p></div>
<p><strong>Download</strong>: <a href="http://neojaponisme.com/podcasts/martiansgohome/mgh52891.mp3">Martians Go Home 5.28.91 &#8211; Funk-a-latina</a><br />
<strong>Martians Go Home RSS Feed</strong>:  <a href="http://neojaponisme.com/martiansgohome.xml">.rss</a><br />
<strong>General Néojaponisme Podcast RSS Feed</strong>: <a href="http://neojaponisme.com/neojaponismepodcasts.xml">.rss</a></p>]]></content:encoded>
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